Thinking of landscape painting
United States landscape painters, just like any landscape, I so far for those who are used to feed and nourish his own cultural tradition is still a concern. But I pay more attention to those outside the tradition. This article would like to talk about themselves and their peers and wife maruina·Gede Austin's work of descriptive, would like to talk about the natural landscape painting and the importance of tradition, and important for my inspiration. Started I'm just a student of traditional Chinese painting art, as artists, teachers and tourists often appeared in recent years in China. I firmly believe that landscape is the basis for understanding the history and culture of China and, in art history it played the role of a natural high.
In many ways, there is a huge difference between China and. Such as the treatment of national politics, population, history, age, culture and location in the world, and so on. As one of the oldest countries in the world, China with its ongoing development of culture thousands of years of history reflected in the value of its existence. Until recently, is still well known in the history of the world centres. Because history is full of turbulent times and the persistence of inter-State. Meet the new world order. Pursue new explorations. 200-year history of Americans in the past dozens of years to reflect only the own existence. 80 's fashion is often outside was out of fashion in the 90 's. Postmodern social process of redefining culture every day. In the United States, a sense is still more important traditions are more likely to be abandoned; at best say is being absorbed into the new vision. Western as oriental beauty of the new Chase, very much enamored, reversed. Seldom is correct.
I maruina·Gede Austin and his wife share many things, including common hobby to landscape and tourism. Generally speaking, we in the United States need to reshape their image. Traditions of the Heavenly Kingdom mentality and innate caution in smaller conflicts arising in the field of information easy to access. China has a long history, and change is slow and difficult, and small. Arts development is also the same reason. Theoretical research and practice of china oil painting reproductions artists, in upholding the respect for the traditional genre painting and techniques at the same time, effort and has carried out a large number of expeditions in Europe; in particular, the focus of my interest in China, and her interests in South America. Tourism is our specialty art lies, is clearly our basic approaches to the creation of road. Believed in traveling and painting there are many parallels between universals. As the United States writer baoluo·saluosi said: "tourism is in space experiments. "Naturally resonates with artists feeling. Connotation refers to the process of its importance. Whether tourist or the journey itself. Middle ground of the former and the latter are surprisingly, conflicts between new and old. Rising contradictions make people change perspective and direction. This is an area fraught with difficulties and tensions, to ponder and reflect on it. But after all, there are very rich. Artist accept the difficulties and unexpected things. As a new and unknown to them seriously. Salus advocates "scenery is never neutral", I very much agree with. When artists use a certain knowledge of the history, traditions and customs when painted landscapes, landscapes of self-show, he was more spacious. Reflections focus on quality and exceptional memorize and classification. Reform of power hidden in the midst of the most simple things, with multiple meanings and a broad sense of freedom to present, and to focus on the prototype and found metaphors of the poetic possibilities.
In many ways, there is a huge difference between China and. Such as the treatment of national politics, population, history, age, culture and location in the world, and so on. As one of the oldest countries in the world, China with its ongoing development of culture thousands of years of history reflected in the value of its existence. Until recently, is still well known in the history of the world centres. Because history is full of turbulent times and the persistence of inter-State. Meet the new world order. Pursue new explorations. 200-year history of Americans in the past dozens of years to reflect only the own existence. 80 's fashion is often outside was out of fashion in the 90 's. Postmodern social process of redefining culture every day. In the United States, a sense is still more important traditions are more likely to be abandoned; at best say is being absorbed into the new vision. Western as oriental beauty of the new Chase, very much enamored, reversed. Seldom is correct.
I maruina·Gede Austin and his wife share many things, including common hobby to landscape and tourism. Generally speaking, we in the United States need to reshape their image. Traditions of the Heavenly Kingdom mentality and innate caution in smaller conflicts arising in the field of information easy to access. China has a long history, and change is slow and difficult, and small. Arts development is also the same reason. Theoretical research and practice of china oil painting reproductions artists, in upholding the respect for the traditional genre painting and techniques at the same time, effort and has carried out a large number of expeditions in Europe; in particular, the focus of my interest in China, and her interests in South America. Tourism is our specialty art lies, is clearly our basic approaches to the creation of road. Believed in traveling and painting there are many parallels between universals. As the United States writer baoluo·saluosi said: "tourism is in space experiments. "Naturally resonates with artists feeling. Connotation refers to the process of its importance. Whether tourist or the journey itself. Middle ground of the former and the latter are surprisingly, conflicts between new and old. Rising contradictions make people change perspective and direction. This is an area fraught with difficulties and tensions, to ponder and reflect on it. But after all, there are very rich. Artist accept the difficulties and unexpected things. As a new and unknown to them seriously. Salus advocates "scenery is never neutral", I very much agree with. When artists use a certain knowledge of the history, traditions and customs when painted landscapes, landscapes of self-show, he was more spacious. Reflections focus on quality and exceptional memorize and classification. Reform of power hidden in the midst of the most simple things, with multiple meanings and a broad sense of freedom to present, and to focus on the prototype and found metaphors of the poetic possibilities.