(A) the Rembrandt oil painting language
Caravaggio shading method study of Rembrandt's early work absorbs strong contrast from Caravaggio. Picture effect smooth and characterization of fine, deposited color thin, pictures of noble much in silk, velvet, fur, pearls, gold and silver ornaments textured. Stunning gorgeous, wealth and magnificence. delicate strokes in which he reproduces images of real texture, the character's skin was soft and smooth, even old man covered with wrinkled skin. Also was performance of full rich gloss, on hair of performance highlights supple of beauty. LUN Bo lang of works more than and hold Lamb of Ann na under (1626) can help we to analysis he early portrait oil painting: figures to must of plot (Judaism allusions) was arrangements in is unlikely to of housing within, indoor of apparatus bath with fuzzy fibrillation of light, dark Department performance was very delicate, let people see each objects of exists, light irradiation in main figures body, remaining implicit in shadow in the. It is said that. Rembrandt on optical inspiration from the Netherlands building: "dark, and very few Windows, very narrow, has a haze in the sky, only a faint light in the room, always look at the indoor objects is not clear. But reflective and opaque shade is very significant, in between the bright and dark parts also have a strong contrast. "The use of Caravaggio shading method for establishment of a unique style after he has laid a good foundation.
To the end of the year 1629, he colors begin with a weak tone, color techniques and shade representation seamless. Rembrandt painting showing people on the application of guts, put him beyond the contemporaries of the Netherlands painter, he is not a traditional box fan paintings show a brand new look.
(B) the Rembrandt dark performance methods. In 1632, after Rembrandt moved to Amsterdam, he demonstrated shading as primary means of reality content. Pursue new skills performance method and different. Rembrandt on the shading techniques has its own laws of aesthetics: Ming General to one-eighth pictures, dark one-eighth and the rest is the appropriate intermediate hues to transition. He often used this is harmonization of the law of strong contrast of the painting. Composition relationship prioritized in the picture. Rembrandt painted the dark mysterious deep two-phase maps with light forces. An unprecedented degree of artistic conception of excess and deficiency, used this method on a flat surface shape of two-dimensional images, image being a beauty in deep space. And at the same time creating a beyond beauty. Lunlunbolang, "he is very good at handling transparent dark tones. Optical part and sometimes thin color. Sometimes thick dressing. Intricate style mixed colors key, bold hands, without hesitation. Vertical highlight the limits of image, and then came back with a pen, broken and tangible. Before and after the object link, color, thick natural, there are no signs of blunt, clip. The barrel, and a finger, is his usual tools. In the same picture, here light dye thin enough. He repeated heap color, sometimes scrape the repaint, reach is just right. Go color change, hot and cold harmony. It is difficult to know how right he was such a delicate sense of color, he used to color on the color palette to soil based on red, ochre, and occasionally yellow. Makes transparent the shadow, and black contrast. Ash green Posterization more fresh and lively. "He frequently overlapping strokes. The strokes superimposed. And on the same screen using different strokes. Unique art effects.
During this period. Rembrandt to amazing of talent creation has large of works. which most famous of has is read Bible of mother under (1629), Du Er General Professor of anatomy lesson under (1632), one Oriental people of portrait under (1633), danaai under and the Dakin helmets of elderly under and so on some immortal masterpiece. in these oil painting works in the has highlights out has he with light dark law characterizations figures portrait of art style. Make their characters described by a special atmosphere of light and shadow. 1632 portrait groups of the creation of the anatomy lesson of Professor Dupu received very high marks. Fame makes to the success of this painting Rembrandt in Amsterdam. And establishes its unshakable position in the painting. Art professor in anatomy described in principles and methods of surgical practice. Very sophisticated look. The rest of your view. Listen to the teacher tells them, screen each individual placement, reasonable, people like living in the lively and moving in the event as a whole. Light shot from the left, landed on the body and all the faces of the characters, so that the faces of the characters portrayed more correctly solidification in a Flash of vivid facial expressions and movements of people. Rembrandt's light like a mirror of the compact object. Put them together. Bringing together. Turning shimmer into glory. Become bright brilliance. He didn't even make the 8 painted on the person's name written on a piece of paper and by one holding in the picture. He details this patiently looked a little funny. But at the time was warmer than.
Made in 1635 in the hotel in five easy pieces, Rembrandt with skill, precision and shade style techniques he and first wife Saskia was wearing a gorgeous dress in the tavern drinking stories depict abnormal vivid, lifelike. He very carefully in the painting portrayal of heroine costume fabric vision and feelings. Rendered serious emphasis on jewellery, glass light perception. Is more prominent in his golden light map to the entire scene, golden light and the brown background Halo together, diverging to the heroine who. In the character's facial expression into the light reflecting, for images to create fine and real results.
Rembrandt from the cold tones of gold and green bias of this period began to gradually shift to reconcile and lively contrasting colors. Color personality is also increasingly obvious that, European art historians call "Purple Golden darkness" he shading in conjunction with a strong color personality perfectly. Creation of a Rembrandt painting, for the Netherlands school is breaking new ground. Rembrandt into his paintings in this period of peak. Rembrandt works we are faced with today. Everyone laments the intense light effect for him, shocked by his color.
In 1642. Rembrandt painted the night patrols were his most innovative works, this is a full expression of Netherlands patriotism spirit of revolution striker historic old master reproductions painting. Painted alarm suddenly rang out. Rangers hard to defend national independence to defend the city decided to rise up, moment of emergency Assembly, ready for battle scenes. Spear of the handheld gas torch armed security personnel people, scattered in panic anxiety among the public, maintain order, edge toward the Commander falansi•banning•KEKE Captain concentrated there. Exception stabilization. his traditional Netherlands group into a contrast of light and shadow, color, unique and passionate life portrait in the portrait paintings, in order to avoid tired due to brightness of the same same. He makes many picture blur in the midtones. This picture is far exceeded in intellectual and artistic requirement and scope of a group painting, is to create outstanding works of Rembrandt passionate.
He worked tirelessly to get all purpose paint painting methods are subject to him. His art mature step, "as long as the means of art can be taught. Artists can only be confined to purely technical status, so he only unattainable or certain unique advantages of injected into their own methods or means to, can become a genius. ”
His colorful performance of painting methods and the processing method of light. He uses wood on your stroke chapped, retractable leads change to express his emotional expression. He used all the variability of oil paints to create a wonderful free realms. Leaving more than 600 painting in Rembrandt's life. over more than 300 Eclipse prints and more than 2000 more sketch, more than 60 years of life full of color, and the mighty as a young man, middle-aged career when folded. Nobody wants to ask him to paint in his later years, he also could not afford models. So he left for future generations with a hundred sites self-portrait, even today, his portraits have become Amsterdam Town Hall at the National Museum of the treasure.

The old master paintings are always the classical taste to people,now we will talk about the old masterRembrandt
(A) the principle of realistic writing. In Rembrandt's works, is more performance of the underlying spirit of peasant life and ordinary labourer. His paintings, a large number of length that depict real-life social. Is Bible theme works. Rembrandt painted their portrayal of real life. Oil painting of the Holy family is the great representatives of the works. Even if it is a sacred image, he also put them in a real life environment of real people, real people. Not only is filled with real human emotion and spirit of praise poured on the civilian population.
Rembrandt painted many self-portraits. Direct record of his life path. We see him kind of naughty laugh of the State as a teenager. Seeing he was riding high and in contradiction of the pursuit, as he was in distress in the spirit of perseverance and love for the world and thought. His self-portrait in the anatomy of their own, particularly after middle age, have no interest in themselves, blunt demonstrate personal real-life true feeling, so you can call exactly a biography.
(B) plain real artistic soul. Middle-aged Rembrandt as the child have died, mother wife has gone, careful management of the night patrols have been ruthlessly rejected, his life, jumped out of the surface of awareness in life become more profound and rational. Makes him feel prefer mediocrity, ornate public taste and his concentrated pursuit of portrait oil painting  in aesthetics, philosophy, alien to the historical connotation of art fun.
He from the perspective of humanistic interpretation of the Bible, history and mythology, became his inspiration and the spiritual pillar. He created the Holy family series, Christ, themes of mythology and historical themes, and many other impressive immortal. These works do not have the slightest breath of mystery. Brimming with lingering human warmth and care for life, ethics and advocacy.
(C) democratic thought. Democratic People's thinking was reflected in Rembrandt's treatment of his themes of Mythology. Just like Spinoza's negative attitude to theological thought. His juvenile gannimeidisi myths of beauty in art became a disability with a sarcastic gesture, weeping, a Netherlands human images. Rembrandt made the trans-Euphrates in this picture, he is painting very realistic, with his wife shasijiya as models, and painting with his wife, that painted his wife is beautiful enough image of. In addition, Rembrandt when dealing with such subjects, always reduced to the bourgeoisie and the myth of the hero-civilian level. Portraying realistic characters.

 Classic transparent drawing by 19th century largely has been the basic techniques of European painting. Although during it has been also in as era of changes constantly to evolution and changes, different of artist also in to respective different of art practice rich and perfect with it of performance means and art language, but as a system, in some most basic of aspects roughly also is common of--that is first in various colored base Shang with end of material made meet own ideal of sketch relationship or texture effect, then again in above with transparent pigments for cover dye and last completed it.
Because my portrait oil painting started relatively late, when the end of the 19th century in particular, early 20th century, the affinity was finally able to have a large number of art in China Youth travel across the oceans to study in the European oil paintings, Yan period is classical European oil paintings to the decline, beyond Impressionism and Impressionist the genre began to rise when the ascendant. Can say that the Chinese oil painting of the initial period was cut from before and after the Impressionist style, so the art youth while the European and American continents and not as much energy and interest to look at and study classical oil painting technique that has been regarded as outdated. How classical oil painting was produced, the issue over a long period for most Chinese learn oil painting has always been a mystery.
For many years, especially as it is well known that some social cause, gives the overall impression of Chinese oil painting was often produced rough, simple techniques and lack of expressiveness and depth. If someone want to look like Rembrandt in china oil painting reproductions  works of the kind shown by exquisite picture effect and the timeless charm of Bang, it is unthinkable, even many people feel that Chinese oil painting as well as posters. Chinese artists do wish to change this situation, over the years many people have also lost in their own exploration. Remember I have ask yourself on this issue in student teacher, but teachers also failed to give us a satisfactory answer, just answered longertongzhi: this painting is on the painted sketch prior relationship with a transparent oil like photo coloring as if completed. But how to do? Sketches of such prior relationship with a kind of transparent oil color to achieve the final result? That would have been unknown.
This situation to the early 90 and finally because a large number of monographic study of Chinese artists go to the cradle of Western oil painting techniques of oil painting materials, especially France painter of Dubreuilville and binkasi coming to China to give lectures and has fundamentally changed. Thus, learning classical oil paintings techniques into our territories of a cult. Through years of practice and exploration, it can be said that our artists have been finally able to basically mastered the classical oil painting transparent drawing some of the main factors and characteristics.
Under wellcom and teach binkasi techniques are the result of their long-term study classical European painting techniques. Of course, all of this is not a classical oil painting techniques, even also wonders, is the classical techniques of oil painting original. Nevertheless, we can they teach these techniques an overview of some of the mystery and mastery of classical painting techniques, at the same time we can also recognize that oil painting technique is, after all, an ongoing thing. Even classical oil painting techniques, is not set in stone. Such as binkasi techniques used fraud in many modern materials, such as chemical synthetic glue. Looking for some more excellent adhesive performance as end of painting materials, since his birth in 16th century painting has always been a major theme of past dynasties artists tackling. Only due to the level of development of science and technology constraints, hot melt Adhesive for classical oil painting artists in the period from which you can select when very small, ancient literature, referring to the use of plastic in question generally refers to animal glue, this does not mean that chemical synthetic rubber liquid cannot be used or are not authentic, from a practical point of view, which might be better.

Over the years, learning oil painting as long as when you need to use some kind of pigment to the store to buy products on the line, it is only right and proper thing almost. However we referred to in the previous chapter have been artists of the classical period is within one's own pigment preparation workshops in the itself. This is subject to the then level of productivity, and because of it, instead of creating a parallel tracks--ancient artists according to their different personalities different materials and chemical formula to produce a set of selected controls the level of drying speed and thin paint to suit your style needs.
Classical portrait oil painting artists performance of homemade pigment and pigment properties of modern factory production is not exactly the same. First when the pigment is only a pigment powder and walnut oil (linseed oil) into distribution, no other additives, it is basically a liquid state, thus there is no shaping forces, this is because the classical paintings are basically transparent drawing, for this drawing of paint must be more transparent and flat brush in order to meet the needs of that assigning a color similar with the class.
Classical oil painting with mostly a selection of texture made from fine pigment powder filling. These pigments and powder color gorgeous, calm, noble, elegant, a lot of whom are mineral pigments. Because of its after millions of years of natural evolution, their performance is very stable, with an hundred of incomparable charm.
EV, in his lectures introduced the era of classical china oil painting reproductions  artists how to make these pigments. In China in recent years a considerable number of artists he described in the classical painting techniques, so that their own painting style and had a very large changes in the face of Chinese oil painting, it can be said that EV er lecture for the development of Chinese oil painting was instrumental.
Homemade oil paints will try to select those excellent color performance and texture powder materials, verify that toner is an excellent approach is very simple and easy to grasp:
Color powder a little drop in the water, if description fine particles floating in the water, after toner blending and coated in two on small pieces of paper, a piece in the indoor, place another piece of Sun, with more than 10 employees future phase comparison, fine texture and does not change or does not change much performance stable, quality is good.
Color powder and oils after blending paint on paper, while on the other is a coating of oil on a piece of paper, such as color
Faster than oil is then is good paint: dry is the pigment with oil but are
Poor-quality pigments.
WER also in his lecture, describes how to deploy and grinding of pigments:
Pigment grinding plates, dig a small hole in the Middle will be generated after 1 2 walnut oil and cooked oil edged down after blending together in human pigment powder, after mixing with the mill like Surusumi thin grinding, grinding when pigments must not be hasty, to 1.1 points to feed. This work requires a lot of patience, sometimes pigments appear to wear well, worried if you finger pick on a little with a slight touch, he'll probably find there feels like sand, suggesting that Kung Fu is not enough.
Ancient artists grinding pigment is placed in various soil container in the pottery class, now we have more convenient and easy to store tools and materials.

"Light decoration, and heavy decoration" of concept has was most of family by accept, home style also is no longer is immutable, and wants according to different of season, transform home style is not pieces simple of things, if can timely to select transform some home jewelry can let room has brand new of feeling, and home jewelry of select, not only to master season of features, more to master home jewelry of pop trend.
In order to make your home style and fashion and not outdated. Therefore, grasp the trend of home furnishings is very important.

Let us look at what is it?
Hand-painted china oil painting reproductions
Interior of Freehand is only popular in recent years, indoor range of hand-drawn, including many in fact, interior walls, and can be drawn in the top or you can draw your indoor furniture, household trinkets can also include soft decoration, such as, and so on. The original interior decoration techniques, on the walls, mostly just simple handling, paint latex paint, no taste at all. Some families will post some patterns of wallpapers, but nice wallpapers for each volume are not cheap. Compared with hand-painted walls, time consuming and laborious, and hand-painted landscape painting on walls in addition to indoor space other than the unique style and priced low relative wallpapers. Selection of hand painted wall materials, generally giving protection to 5-10 years, will not fade, and waterproof oil-resistant, it is environmental protection.

Lazy Houseware
The so-called lazy furniture, literally means the furniture for lazy people, refers to all with easy, as well as humanity's advanced design furniture new life. This "lazy furniture" busy enough to work your home life with a good mood, they can make you spend the least amount of time, so that the least amount of effort with the same exquisite life.

Creative lighting
Decorative flexible lighting and furniture, subtly mix modelling can have ideas on creative, simple style is still popular today, lighting design also reflected the pursuit of simplicity and personality characteristics. Lights create an atmosphere like a person's facial expressions, sometimes happy, sometimes sad, and sometimes it is difficult to ascertain. Light projection on the furniture, jewelry, foil material textures, texture and atmosphere, bringing Visual effects like magic.

Korean style rural home
Korean pastoral style may be the most young girls prefer, it is the important element of pink hues to soft romantic, romantic lace, green everywhere, plants, white furniture, classic cartoon dolls, plush carpet and other portrait oil painting decorations.

Creative things
Daily life is always full of ideas, home design, although not so much in the field of high technology, but some small changes but also embodies the unique creative ideas.

The decorative basic idea is from the the collide of the painting color and the paintings artist. Its established theme is based on creative thinking, creative purposes on the basis of comprehensive factors such as. Only select and accessories to adapt to the topic to make decorative painting with beauty, also for the decoration to the true meaning of the design.

Sketch: mainly from nature was a strong, fresh express the feelings, feelings and spirit into two kinds: refers to the natural composition of Sino-US relations to the painter: spirit refers to the natural rendering overall spirit feels.
Combined painting, decorative china oil painting reproductions  has the Liberal's view of time and space, usually objective and subjective nature of the performance, and subjective idealistic. It is not affected by time, space and natural forms of constraint, broke at the same time, place, space limitations.
Combining multiple time: images of different time on the same screen. Multi-faceted combination: combination of decorative landscape painting with multiple viewpoints from nature, the head, looking up, looking down on combinations of images at the same time in a picture.
Combining multiple perspective: painting decoration scatter perspective, perspective on the focus, the reverse perspective, any perspective are grouped together.
Combining multiple paintings: painting would not have objects in the same subject. Creative painting comes from A Brainstorm on the one hand, strange, unique, even unconventional ideas of activities, discover unusual scene be depicted: Meanwhile, beyond the objective images, abstract, by virtue of the imagination to create graphics.

Category: thought topics non-ideological nature themes
1. ideology topics
Refers to a certain ideology topics
(1) decorative portrait oil painting with a religious theme
(2) to the theme of hope and good fortune painting
(3) to emotion-themed decoration art
(4) daily life decorative painting on the theme of
2. non-ideological nature themes
Non-ideological nature theme as wonderful music, music notes consisting of abstract beauty of the melody, composition has had a shocking form of music on one's mind. Natural forms of abstract decorative painting is focused on people, and constitute a decorative visual theme.
Decorative painting is to match and environment coordination and for landscaping purposes art. In the modern indoor space environment, decorative painting, with its unique form of artistic expression, heighten the atmosphere, enhanced space features added aesthetic appeal, people's living environment decorated with colorful, achieving a harmonious unity of personality and environment. Because of this,it is widely used in room space by people 

China movie poster design to use a lot of china oil painting reproductions traditional color. For example works of Chinese director Zhang Yimou's raise the Red Lantern, and the ambush of the city of the Golden Flower film poster design using the traditional colors of red, yellow, and green. On dealing specifically with color film, Zhang Yimou is also focusing on the traditional use of color. Such as the city of the Golden Flower, yellow atmosphere, white cold, warm hues of Crimson Palace, visitors can enjoy a visual feast. Especially in the climax of the movie, between silver and gold armor armor, let the audience feel a kind of indescribable glory of the magnificent and the raging storm; rage tempestuously spectacular.
Continue to inject new elements in modern graphic design impacts people's experience, but in any case development, showing of the national culture has become the mainstream of today's design. We accept, accommodate Western design ideas and trends, while also looking for yourself, to new ideas, viewpoints to show the advantages and unique style of thinking in the traditional culture of the Chinese nation. Elements of traditional culture is the indispensable source of wisdom of modern graphic design, decorative painting and traditional cultural elements contained in a more worthy of our continued research. China's modern graphic design burden is heavy and the road is long, and actively explore the design is a very difficult process of nationalization, the only way to modern design ideas in the formation of a new Visual language, implementation of international and national integration.