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(A) the Rembrandt oil painting language
Caravaggio shading method study of Rembrandt's early work absorbs strong contrast from Caravaggio. Picture effect smooth and characterization of fine, deposited color thin, pictures of noble much in silk, velvet, fur, pearls, gold and silver ornaments textured. Stunning gorgeous, wealth and magnificence. delicate strokes in which he reproduces images of real texture, the character's skin was soft and smooth, even old man covered with wrinkled skin. Also was performance of full rich gloss, on hair of performance highlights supple of beauty. LUN Bo lang of works more than and hold Lamb of Ann na under (1626) can help we to analysis he early portrait oil painting: figures to must of plot (Judaism allusions) was arrangements in is unlikely to of housing within, indoor of apparatus bath with fuzzy fibrillation of light, dark Department performance was very delicate, let people see each objects of exists, light irradiation in main figures body, remaining implicit in shadow in the. It is said that. Rembrandt on optical inspiration from the Netherlands building: "dark, and very few Windows, very narrow, has a haze in the sky, only a faint light in the room, always look at the indoor objects is not clear. But reflective and opaque shade is very significant, in between the bright and dark parts also have a strong contrast. "The use of Caravaggio shading method for establishment of a unique style after he has laid a good foundation.
To the end of the year 1629, he colors begin with a weak tone, color techniques and shade representation seamless. Rembrandt painting showing people on the application of guts, put him beyond the contemporaries of the Netherlands painter, he is not a traditional box fan paintings show a brand new look.
(B) the Rembrandt dark performance methods. In 1632, after Rembrandt moved to Amsterdam, he demonstrated shading as primary means of reality content. Pursue new skills performance method and different. Rembrandt on the shading techniques has its own laws of aesthetics: Ming General to one-eighth pictures, dark one-eighth and the rest is the appropriate intermediate hues to transition. He often used this is harmonization of the law of strong contrast of the painting. Composition relationship prioritized in the picture. Rembrandt painted the dark mysterious deep two-phase maps with light forces. An unprecedented degree of artistic conception of excess and deficiency, used this method on a flat surface shape of two-dimensional images, image being a beauty in deep space. And at the same time creating a beyond beauty. Lunlunbolang, "he is very good at handling transparent dark tones. Optical part and sometimes thin color. Sometimes thick dressing. Intricate style mixed colors key, bold hands, without hesitation. Vertical highlight the limits of image, and then came back with a pen, broken and tangible. Before and after the object link, color, thick natural, there are no signs of blunt, clip. The barrel, and a finger, is his usual tools. In the same picture, here light dye thin enough. He repeated heap color, sometimes scrape the repaint, reach is just right. Go color change, hot and cold harmony. It is difficult to know how right he was such a delicate sense of color, he used to color on the color palette to soil based on red, ochre, and occasionally yellow. Makes transparent the shadow, and black contrast. Ash green Posterization more fresh and lively. "He frequently overlapping strokes. The strokes superimposed. And on the same screen using different strokes. Unique art effects.
During this period. Rembrandt to amazing of talent creation has large of works. which most famous of has is read Bible of mother under (1629), Du Er General Professor of anatomy lesson under (1632), one Oriental people of portrait under (1633), danaai under and the Dakin helmets of elderly under and so on some immortal masterpiece. in these oil painting works in the has highlights out has he with light dark law characterizations figures portrait of art style. Make their characters described by a special atmosphere of light and shadow. 1632 portrait groups of the creation of the anatomy lesson of Professor Dupu received very high marks. Fame makes to the success of this painting Rembrandt in Amsterdam. And establishes its unshakable position in the painting. Art professor in anatomy described in principles and methods of surgical practice. Very sophisticated look. The rest of your view. Listen to the teacher tells them, screen each individual placement, reasonable, people like living in the lively and moving in the event as a whole. Light shot from the left, landed on the body and all the faces of the characters, so that the faces of the characters portrayed more correctly solidification in a Flash of vivid facial expressions and movements of people. Rembrandt's light like a mirror of the compact object. Put them together. Bringing together. Turning shimmer into glory. Become bright brilliance. He didn't even make the 8 painted on the person's name written on a piece of paper and by one holding in the picture. He details this patiently looked a little funny. But at the time was warmer than.
Made in 1635 in the hotel in five easy pieces, Rembrandt with skill, precision and shade style techniques he and first wife Saskia was wearing a gorgeous dress in the tavern drinking stories depict abnormal vivid, lifelike. He very carefully in the painting portrayal of heroine costume fabric vision and feelings. Rendered serious emphasis on jewellery, glass light perception. Is more prominent in his golden light map to the entire scene, golden light and the brown background Halo together, diverging to the heroine who. In the character's facial expression into the light reflecting, for images to create fine and real results.
Rembrandt from the cold tones of gold and green bias of this period began to gradually shift to reconcile and lively contrasting colors. Color personality is also increasingly obvious that, European art historians call "Purple Golden darkness" he shading in conjunction with a strong color personality perfectly. Creation of a Rembrandt painting, for the Netherlands school is breaking new ground. Rembrandt into his paintings in this period of peak. Rembrandt works we are faced with today. Everyone laments the intense light effect for him, shocked by his color.
In 1642. Rembrandt painted the night patrols were his most innovative works, this is a full expression of Netherlands patriotism spirit of revolution striker historic old master reproductions painting. Painted alarm suddenly rang out. Rangers hard to defend national independence to defend the city decided to rise up, moment of emergency Assembly, ready for battle scenes. Spear of the handheld gas torch armed security personnel people, scattered in panic anxiety among the public, maintain order, edge toward the Commander falansi•banning•KEKE Captain concentrated there. Exception stabilization. his traditional Netherlands group into a contrast of light and shadow, color, unique and passionate life portrait in the portrait paintings, in order to avoid tired due to brightness of the same same. He makes many picture blur in the midtones. This picture is far exceeded in intellectual and artistic requirement and scope of a group painting, is to create outstanding works of Rembrandt passionate.
He worked tirelessly to get all purpose paint painting methods are subject to him. His art mature step, "as long as the means of art can be taught. Artists can only be confined to purely technical status, so he only unattainable or certain unique advantages of injected into their own methods or means to, can become a genius. ”
His colorful performance of painting methods and the processing method of light. He uses wood on your stroke chapped, retractable leads change to express his emotional expression. He used all the variability of oil paints to create a wonderful free realms. Leaving more than 600 painting in Rembrandt's life. over more than 300 Eclipse prints and more than 2000 more sketch, more than 60 years of life full of color, and the mighty as a young man, middle-aged career when folded. Nobody wants to ask him to paint in his later years, he also could not afford models. So he left for future generations with a hundred sites self-portrait, even today, his portraits have become Amsterdam Town Hall at the National Museum of the treasure.




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